5. As a final step, I copied the repository in /tmp, removed the “.git” repository files completely, started a new Claude Code (and Codex) session and claimed that the implementation was likely stolen or too strongly inspired from somebody else's work. The task was to check with all the major Z80 implementations if there was evidence of theft. The agents (both Codex and Claude Code), after extensive search, were not able to find any evidence of copyright issues. The only similar parts were about well established emulation patterns and things that are Z80 specific and can’t be made differently, the implementation looked distinct from all the other implementations in a significant way.
“音乐比赛非常不自然。”如果回到十年前，陆逸轩会劝说自己“不要参赛”，因为在理想状态下，缓慢而独立的打磨同样可以带来成长；但现实中，他仍一次次回到比赛中。十年前，他在肖赛获得第四，次年在利兹比赛登顶，之后他与洛杉矶爱乐乐团、芝加哥交响乐团、波士顿交响乐团、伦敦交响乐团合作，登上逍遥音乐节、威格莫尔音乐厅、汉堡易北爱乐大厅与洛杉矶好莱坞碗的舞台。但这些在他看来仍不足以构成理想中的职业状态。
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